There is something weirdly odd but satisfying in seeing the aesthetic results of technological failure being realised as artefacts in the ‘real’ world. Glitch art has been kicking around as long as technology has been failing and recently there seems to be a new bunch of designers and artists creating some interesting glitch inspired art.
These self referencing, technical and cultural mashups are painfully post modern. As exercises in extreme cultural navel gazing they remind me of Ouroboros, the mythical snake that is constantly eating itself, the perfect symbol of eternal recurrence (and possibly postmodern regurgitated self referencing art culture …)
Here are three projects/artworks that I have come across over the last couple of months through various design blogs that are inspired by the glitch:
Glitch textiles by Phillip Stearns
These are just great, and what a good idea. Glitch art faithfully re-created as textiles. The lines of corrupted pixels make a great weave and Phillip Stearns is a clever man for making seeing this possibility and using Kickstarter to get this project up and running. Buy his glitch textiles here. … Also check out his Year Of The Glitch blog.
Abstract paintings by Beverly Fishman
Beverly Fishman produces abstract paintings that look just like corrupted bitmap images. I would imagine these 84″ wide, enamel on steel paintings would look impressive seeing them for real and I’m sure that glitched images are not her only influence … they kind of make me think of Koons and his aluminium ‘inflatables’ in an odd way – especially as I am looking at her paintings on a computer screen – they really do look like glitched out jpegs and I have to trust the accompanying copy telling me she’s an artist and these are paintings, just like I had to trust the little bit of text telling me a Koons’ ‘inflatable’ caterpillar was made of aluminium. Here is some serious art speak:
“The patterns of Beverly Fishman paintings are transcriptions of EKG, EEG, and neuron spike readouts, with some bar codes thrown in to add a social measure to the disembodied bodily data. And, for good measure, some of the patterns are derived from the modular shapes of the pills and capsules that are supposed to cure us of our ailments, mental as well as physical. The pattern registers time, giving it spatial form, a geometrical objectification that suggests that all our problems are subjective and thus of no great consequence, however fraught with understated consequence the diagnostic patterns are.” – Donald Kuspit.
These photographs of Hong Kong by Michael Wolf are just lovely. I cannot read any reference to glitched images on his site, so the inclusion of these images in this post is directly because of the meaning I put upon them. To me, they look like glitched out jpegs. Whether this was intended, whether glitch was an influence or reference I don’t know, but to my eyes, they certainly look like it.