I have wanted to write about Jean Giraud aka Moeibus, or at least post up some of his work for a while now and after picking up the 2011 hard cover collection of The Incal (Amazon UK) late last year I now have some sort of excuse to write about him (I could have used his huge exhibition staged at the Fondation Cartier Pour L’Art Contemporain in Paris last year as a reason to write up a post, but after making plans to visit work/life got in the way – a nice little micro site of the exhibition still exists, you can check it out here).
My introduction to Moebius was through my friend Tom and his huge comic collection. As a 16 year old I would be dropped off in town early – Tom would sleep late, so I would climb through his bedroom window (it was on a lower ground floor) and get myself comfortable reading from his comic collection till he got up. Tom had a huge collection of comics, ranging from US marvel and DC imports, to European bande dessinée, in particular Heavy Metal (Métal Hurlant), which was always full of sci-fi and fantasy inspired strips and art, including quite a lot of work by Moebius (he was one of the founders). It was Heavy Metal and it’s more adult themes of sex and violence which introduced the 16 year old me to comics beyond the usual American fare.
So Moebius has always been an inspiration and has left an indelible Impression on me. It’s the elaborately detailed scenes he draws and beautifully colours, and the slightly seventies science fiction aesthetic that at the time seemed so futuristic and now, when I look at these panels again, still seems contemporary and a believable vision of a possible future.
It has taken a while for English language collections of Mobeius’s work to come onto the market – I was told by one of the staff at Dave’s Comics in Brighton that Mobeius was not all that bothered about getting his work translated or re-printed, if true it would certainly explain his relative lack of fame in America. In 2010 US publisher Humanoids put out a ‘classic collection’ of The Incal, now out of print it was a pricey affair, hand numbered and released in limited quantities. The copy I picked up is a UK edition published by Self Made Hero.
Originally published in the early eighties, this is the first English lanuguage collection of The Incal that I am aware of (I think it was translated in the album format in the late eighties, but not collected). Anyone familiar with the films of Jodorowsky (in particular ‘The Holy Mountain’) will find the general plot of The Incal familiar – a physical journey of discovery that is a metaphor for spiritual awakening or cosmic transcendence. Or something like that. The Incal has a plot that is quite hard to describe; on the surface, The Incal is a race against time, and a confrontation against a great all encompassing evil. The ‘hero’ is the coward John Difool, chosen by cosmic coincidence to save the known universe along side a band of characters that include his pet concrete bird, Deepo, and the most feared mercenary in the universe: the Metabaron. Difool constantly endures the worst humiliations as he faces increasingly bizarre situations.
Detective John Difool is much more of an idiot than the ‘heroes’ Jodorowsky often shows on screen – almost as if Jodorowsky has been able to use the perceived low brow medium of comic books to add humor and a little self deprecation into the mix, all packaged up into the anti hero John Difool. The clue is in his name, he truly is a cosmic fool.
To sum up: if you are into graphic novels or comics buy some work by Moebius. And if you have never seen a film directed by Jodorowsky I suggest you check one out, you will have never seen anything like it before.
A little more Moebius:
- The Incal was also going to be a feature length animation – a trailer can be seen here.
- Jodorowsky and Moebius also collaborated on a film project of Dune in 1974, check out art work for this here.